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Elaine Hahn
As an artist raised in the Midwest, the natural beauty of the coastal shoreline has always intrigued and amazed me. I particularly liked the subject matter and the effect of the light, which enhanced the colors, creating unique and interesting reflections and shadows. Through the years I have focused on developing my work and style to capture that beauty. I mainly work with enlarged images with careful planning of the shapes, light and dark patterns, and the colors. ...
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Jean M. Judd
Artist and author Jean M. Judd has been creating textile artworks since 1990. She creates work for individual collectors, private commissions, as well as for fine art exhibitions and design projects across the United States, Canada, South America, and Europe. When asked, her medium is “hand stitched thread on textile”. That statement can further be explained by whether the textile is a commercial textile, a hand dyed or painted textile, or an enhanced textile with rust pigmentation that was created in her studio. ...
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Christine Alfery
I have never been able to color in the lines, am not a fan of coloring books, never make chocolate chip cookies the same way twice, so it makes sense that I have a hard time following rules when it comes to making art. Rules have a function. They establish a foundation from which an artist can expand, experiment and explore ideas in the pursuit of creativity, discovery and art. If creativity and discovery are what art is, and I believe they are, then art needs to fall outside of established foundations, lines, rules and boundaries. ...
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Matt Fitt
Matt Fitt's photos reveal his passion and dedication to capturing truth and beauty through the lens. Matt does what he loves, capturing the beauty of the natural world and those within it. His images explore emotion and excitement. Matt acquires his source material exclusively though high-resolution digital capture. ...
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Ping Yin
“ I like paint landscapes, figures and still life, mostly I do oil painting. I’m very interested in painting the object’s color and light. I love and adored the Impressionist Masters and studied their techniques, also added significant contemporary perspective to my works. I believe that color is the soul of painting. The combination of color and light are the eternal themes of painting. To have control the master color performance is imperative to be a good painter. ”
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